Much in the same way images consist of colors and quantifiable aspects (shapes, subjects,
etc.), sonic tapestries possess basises of material correlation, however more obscure and
interpretive. When one observes a painting, the colors utilized are often initially
detected at the same time the subjects are defined - brighter colors are upheld and given
more frontal attention for which these observations are made. After some duration the scope
of the material is understood and subsequently appreciated or disregarded - the same is
true for audio materials, especially music.
In the way photos can be artistic or mundane, sound ensapsulations (files, media, broadcasts)
range in their contents. An audio file can potentially contain a myriad of different subjects;
the human voice, decontextualized frequencies, aural information result of physical consequence
(a car crash or explosion for example), etc. ad nauseum. In specific artistic areas of
definition, sonics can be articulated and from the layers a dichotomy can be constructed.
Take, for example, a conventional death metal band that you aren't familiar with - given you
are familiar with other examples of death metal bands and their equipment, you can ascertain
various things about them despite not having any presented information beyond their sound.
From the characteristics of their guitar sound (a dominant aspect of any metallic ensemble)
you may be able to determine the general components of it given that you have a concept of
neighboring examples. This establishes the framework for what is the purpose of this document,
which is to assert that combinations of equipment facilitate the appearances of characteristics
somewhat unique to them. For example, a painter's palette with maroon and sage green is
likenable to a producer's rack with a TR707 and TX81Z, or DR550 and Line 6 POD Pro, etc.
Without these specific marriages, the chances of achieving this degree of synergetic compliment
are slimmer; my goal in exploring and documenting the pairings, while additionally optimizing
the environment to encourage/streamline juxtapositions in order to discover new compliments
is what motivates me to deliver the site to a state of verboseness, of automaticness and
soon hopefully I can try my hand at control engineering and familiarize myself with the
C language.
(Note how the examples of hardware articles was kept to two - this is a good time to begin
the convention of using polygons to represent the synergetic profiles by their quantity of
components (1 = triangle, 2 = quadrilateral, 3 = pentagon, etc.) and colors their respective
encompassing genre.)