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Deliberation;

Debate on what will be assigned where;
Northmost is Red
Perhaps Redproposition items should denote finalistic or Encapsulatory devices/processes.
Problem: Redretractionis a primary color and those are reserved for the classes specified in the 'Primary elements of studio';
Perhaps the east edge/associated color neighborhoodproposition should represent these culminatory stations.
Expanding on this "manifest destiny" notion, perhaps the west edge should represent seminal processing (or preparation).
Due to the lateral sequence of appearance with the example color wheel, the following assignments make sense;
> ■■ = Enactors, > ■■ = Sources, > ■■ = Effects
Enactors (Prods) are sequencers/controllers (recall Programmative VS Performative), their export; humans; kinetics;
> Sources are the initial materialization of sound - drum machines, synths, guitar/bass preamps, computer audio output, etc. - anything which first audibilizes.
> > Effects are applied equalizers, effects processors (Delay, Chorus, Pitch, Applied Distortion), etc.
The next obvious chroma trifecta shows in the following;
> ■■, > ■■, > ■■
I lean toward assignment of Fuschia to Conversion, be it Kinetics-MIDI data/Dry Pickup signals (Pickups are clearly belonging to this class)
> Aqua seems a good platform for Junction; Lime for Recording or other form of consolidation.
Considering a swap between the Aqua and Lime assignments; a clockwise reading of the standing chart would then read;
> Prodding, Conversion, Source, Effect, Junction and Consolidation. (PCSEJC - JESCCP Protocol).
What does the JESCCP Protocol apply to?; ~ Instruments with electromagnetic, piezoelectric and contact pickups are included. Acoustic instruments
like Bongos don't necessarily have a conversion stage perse in and of themselves, although physically there are always conversions (vibrations > audible
sound); the micing stage could be considered a conversion, as it is the only way to transfer these materials into the working environment.
In the realm of editing, manual adjustment of the initial instinct/action could be considered a Prod, the physical prompt and enaction
of an adjustment to the standing parameters. Every scenario of human injection into the creative process will be evaluated within this system.

Juxtapositions;


The Color Wheel's fundamental purpose is to illustrate the negative to whatever perceivable color; to utilize a color wheel as a property
via which to navigate/understand an ecosystem of articles and processes of interconnectivity, one must make use or have use for this diametry.





To the left is a color wheel with web colors placed along the bounds in locations near their representative locales.

■■ dots represent pre-defined chromatic real estate;
■■ dots represent yet undefined colors.
It is to be determined if the familiar black dot's white dot groupings will assume expansionary designations to the pre-defined ones;
















Dilemma/Form Variance;

The color wheel naturally encourages reading in a circular pattern; clockwise. There is incentive to have it be read in a linear fashion,
so a 'color stick' will be conceived.

Resolution;

Combinations of colors in a border/center format will be adopted to reference the belongings to multiple instances of shared spectrum
departments.