The 'Materialized demos' page is where demos of a more consolidated quality go; coincidentally
the majority of the showcased materials are of the metallic variety, as the makeup of those
compositions are fairly rudimentary, typically consisting of traditional heavy metal drumming
and a barbed guitar sound. A graph could be designed which factors in attributes and gauges
completion based on the presences of these - for example, a tier could be defined for materials
that are made up of guitar and drums only, being a level 1, another for materials containing these
properties with an added bass element, and another for materials containing these and an added
bass and vocal element, etc.

Going along with the premise of a consolidated demo, there is a growing collection of semifinal
and final non-metallic tracks which will be added here; a tangential class of materials to the
'Materialized' variety will be those which are encapsulated on PCM tapes, materials which can be
considered masters, a denomination which itself contains a hierarchy of grades.

To offer more insight into the divisions and clarifications of stages and contents of such stages
and so on, the principles are to modularize the creative and productive processes. To effectively
achieve this, goals must be outlined and the tools, applications and products well understood and
segregated. In the case of the 'materialized demos' region of this persistently disarrayed system
of interconnected static webpages, it exists to establish some organized distinction from the
pre-existing repository for disorganized and incomplete or rough resources, like an export of a
crude performance that was saved out of an archival spirit. The difference is in the name, as
'materialized' suggests more consolidated stock; its important to define where this distinction
ends however, as an export that has been mastered and signed off on beyond the acknowledgement of
ill completion does not belong in the demos2 catalog; these materials belong in a yet-to-be-created
demos3 catalog, of which the name is a bit conflicting - while they are admittedly no longer demos,
the nature in which I create treats all materials as demos, for the sake of plausible deniability
(if a material is disownable in future) and democracy. The architecture where these sounds, patterns,
etc. are spawned is very much experimental, as is their arbitration, so to assume a humble and
accumulative ethic is in the best interest of the eventual release of materials belonging to these
practices and journeyman times.