At the time of writing, 11/13/24, the resource discussed here is online - accessible from the
external world, and has been since sometime in August. The domain hosting this jumble of tools-
bordering-art-catastrophes is xlaxrecords.com; cannibalizing (one of) the only external monickers
for myself, perhaps the only one exclusively mine and not even, considering the primary exhibit
is others' music, it is what I felt most compelled to commit to for a domain rental. While it
ultimately matters not, the desire to segregate avenues of my activities does exist in spite of
misusings of brands like I just detailed. Anyway, the array of sites comprises every amateur web
development project I've conducted yet, and serves as a base for any discoveries or advances in
competency of mine. It, or more accurately the creator, strives for an intuitive yet quite rugged
in the aesthetic sense space or collage of compartmentalized spaces, each suited toward either
broad, analytical applications or more direct, generative ones; for example, it is an objective
of mine to eventually implement an entry system which would save all inputted text materials and
index them on the host computer, the origins of which being irrelevant - this would permit the
curation of journals in the digital format from any locale, which is greatly desired. This action,
or feature would render the site a compositional tool in addition to the already realized resource
sorting utility, which is a cumbersome affair regardless of how elegant/advertising-adept you are
with the deprecation of DirectX features which would allow a system whose very goal is to automate
to do just that; automate the instruction to play a sound upon first indication that is what the
user, me, wishes to do. It would be quite trivial to utilize the site as a visual sound player if
audio resources weren't held hostage to the extent they are ubiquitously now; hence why I've embraced
antiquated technologies and systems, as those are product of a greater era of many superiorities in
engineering, usability (subjective), and ethos.
Until I learn to employ forms in a way that can allow for mobile text material submission and get
sound resources to play upon the loading of a page, also to defeat the executable brickwalls that
exist for comprehensible reasons but are so inconvenient to me, the site will persist in being pretty
but useless. Until those breakthroughs are made, it is my initiative to optimize the functionality
of what does exist and to conceive of and implement more information-handling, system-supplimenting
resources within the pre-established and yet unestablished workfolders, certainly sluggishly
as the future-relegated developments serve to revise, correct, streamline what will already be there.