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faceta;[<]■STRINST04[>]
facetb;[<]■GUITPROC01[>]
facetc;[<]■SEN01[>]
facetd;[<]■POWERAMP04[>]
facete;[<]■GCAB04[>]
sum; [<]N/A11[>]\[<]LGRIG02[>]
STRINST05 + 15FT 1/4TS Cable + {AC + Line 6 POD Pro + 2FT 1/4TS Cable + {AC + DBX 1231} + 2FT 1/4TS Cable} + 3FT 1/4TS Cable + QSC Sonetic SA425(a)+ Banana-to-1/4F adaptor + 5FT 1/4Spkr Cable + Ampeg 4x12
; N/A
; N/A; unfetchedStatus: Retired; used for Crocodylinae live shows in early 2022.
Breakdown of system; I was initially confused how the rig could sound better without a parametric EQ in the signal chain; the BBE in the POD Pro's FX loop created a pretty bulletproof tone for the live setting; of course, the science of live sound, speaker projection and acoustics make sense of this, as in that environment where the volumes are ramped up and potentially microphoned, the fuller and less shrill the source sound is/the more suitable it is theoretically to be detectable and harmonious with other elements, like the low and high-end rich drum tracks, high midrange vocals and low-high midrange bass.
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